A Free Left Blog

Ralph Vaughan Williams wrote his 6th Symphony partly in reaction to the land mine that fell on the Café de Paris in London during the Second World War, a bomb which killed Ken ‘Snakehips’ Johnson and members of his West Indian Dance Band Orchestra who were performing there. Vaughan Williams' Symphony No. 6, played by the San Francisco Symphony Orchestra, conducted by Sir Roger Norrington Click here t o create a new window for the video. In a reference to the victims of that tragedy of war we hear in the symphony’s third movement the snaky, sinuous but ethereal sound of a saxophone backed up with a pulsing jazz beat. But it is framed by a piece which is tumultuous and angry, broken with a few moments of introspection and a short window of radiant beauty towards the end of the first movement. The fourth and final movement rounds the symphony off with a feeling of drifting and desolation, the strings evoking a gasping, uneven breath dying out to nothingness. ...

There's nothing like a good insult or two, and if you're looking for insults in philosophy, you need look no further than Arthur Schopenhauer's comments on his German contemporary, the much more popular and successful Friedrich Hegel.  Schopenhauer suggested as a motto of Hegel’s philosophy some words of Shakespeare: ‘s uch stuff as madmen tongue and brain not’. He added : " Hegel, installed from above, by the powers that be, as the certified Great Philosopher, was a flat-headed, insipid, nauseating, illiterate charlatan, who reached the pinnacle of audacity in scribbling together and dishing up the craziest mystifying nonsense. This nonsense has been noisily proclaimed as immortal wisdom by mercenary followers and readily accepted as such by all fools, who thus joined into as perfect a chorus of admiration as had ever been heard before. The extensive field of spiritual influence with which Hegel was furnished by those in power has enabled him to ac...